Indian Or China?
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Hello. My name is Tony, welcome to The Alternative Tour of the British Museum. Series 1, Part 2. Titled: India or China? You may be wondering how we can use the British Museum as a sensitivity workshop. A general indication as to the nature of what is going on in the museum on any particular day is to observe people’s behaviour and then apply the simple skills of detection. However there are places in the museum that are well suited to practice more advanced sensitivity techniques, one of these is a Power of the Mind exercise that works well in The Hall of Oriental Antiquities. Once you have the way of it this technique it can be used in many circumstances. I hope that your find the following of interest...
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There has never been a day the same as any other day. Each day is unique, and some days a person can feel themselves being carried along by the day, whilst on other days, it feels like one big struggle and it’s a wise person that can know the nature of the day, for then they would be able to tailor their actions according to what might be possible that day.
Just as the nature of the day affects people so the worlds of force and emanations are strengthened, weakened, outward or inward according to the nature of the day. This is partly why it is not possible to say which gallery or object in the British Museum is the most powerful or the most Religious or the most interesting it changes according to a whole set of reasons. In the hall of Oriental Antiquities one half is to do with China and the other is to do with India and south east Asia and if a person wants a pre-sense of which half might be the most useful to explore that day here is a small technique they might find useful. Firstly take a short time to sense how you feel. In your thinking, in the various parts of your body, in your energy levels and what you are drawn to or catches you. Then stand behind the marble circle in the middle of the hall facing out into the Chinese half and imagine a small blue silver ball about the size of a pea coming out from the right side of the Temple and going down the right ally, right down to the other end across and back down the left ally and back into the left temple.
By sending out the small blue silver ball it gathers the experience on its journey and when it comes back it deposits those experiences into your head which then translates it into a feeling or sense or state and because you have monitored yourself before you started, by monitoring yourself now you will get a sense of what is in the gallery that day.
Then go round the other side of the circle on the way around there is a statue with really big hands and it’s often caused many to wonder about why the hands are so big. Anyway back to the exercise. Standing behind the marble circle again but this time looking out into India, send a small silver blue ball out of the right temple, down the right aisle all the way down to the end and back up the left hand and into the left side of the temple and having done so again measure or monitor yourself.
India seems to add strength to the whole body, whilst China seams cause a focus more on the mind. Interestingly the statues marking the beginning of each gallery have a sense of this difference.
With India there is grace and movement, theatre, music, with a sexual undercurrents and it is important not to be shocked nor seduced by this. If it does turn up try not to suppress it, but keep focused on the fact that it is the meaning of it that you are searching for and once you knows this it will not be a surprise to discover that generally people are more amorous in this gallery then any of the other galleries in the British Museum. China on the other hand shows stature poise refinement stillness and a strange sense of abiding.
Yellow is the force that comes out of the continent of Asia. In comparing India and China it shows the different expressions of yellow as it plays itself out in the different cultures.
Link to British Museum Tours Channel site
http://www.youtube.com/user/BritishMuseumtours
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